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Pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), [1] it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded ...
Archaeological discoveries and a surge in the popularity of ancient Greek art in the 18th and 19th centuries created a high demand for objects and artifacts. The customary restoration method started with reassembling vessel fragments. Missing fragments were replaced with new glazed and fired pieces of pottery and gaps were filled in with plaster.
Mycenaean pottery is the pottery tradition associated with the Mycenaean period in Ancient Greece. It encompassed a variety of styles and forms including the stirrup jar . The term "Mycenaean" comes from the site Mycenae , and was first applied by Heinrich Schliemann .
Black-figure pottery painting (also known as black-figure style or black-figure ceramic; Ancient Greek: μελανόμορφα, romanized: melanómorpha) is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BC, although there are specimens dating in the 2nd century BC.
On display in the Ancient Agora Museum in Athens, housed in the Stoa of Attalus Ancient Greek ostraca voting for the ostracization of Themistocles in 482 BC. An ostracon (Greek: ὄστρακον ostrakon, plural ὄστρακα ostraka) is a piece of pottery, usually broken off from a vase or other earthenware vessel.
Terracotta figurines are a wide range of small figurines made throughout the time span of Ancient Greece, and one of the main types of Ancient Greek pottery. Early figures are typically religious, modelled by hand, and often found in large numbers at religious sites, left as votive offerings.