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Thunderstruck (song) is within the scope of WikiProject Australia, which aims to improve Wikipedia's coverage of Australia and Australia-related topics. If you would like to participate, visit the project page .
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, art music, and pop music. Tonality (from "Tonic") or key: Music which uses the notes of a particular scale is said to be "in the key of" that scale or in the tonality of that scale. [1]
Étude Op. 25, No. 5 in E minor, is a technical study composed by Frédéric Chopin in 1837. Marking a serious departure in the expected technique developed previously, Chopin wrote this étude with a series of quick, dissonant minor seconds .
Thunderstruck is a song by Australian hard rock band AC/DC, released as the lead single from their twelfth studio album The Razors Edge (1990). It peaked at No. 4 on the Australian ARIA Singles Chart , No. 1 in Finland, and No. 5 on the US " Billboard " Album Rock Tracks chart.
Liederkreis, Op. 39, is a song cycle composed by Robert Schumann.Its poetry is taken from Joseph von Eichendorff's collection entitled Intermezzo.Schumann wrote two cycles of this name – the other being his Opus 24, to texts by Heinrich Heine – so this work is also known as the Eichendorff Liederkreis.
Thunderstruck may refer to: "Thunderstruck" (song), a 1990 song by AC/DC; Thunderstruck, a 2004 Australian film; Thunderstruck, a 2006 book by Erik Larson; Thunderstruck, a 2012 American film; Thunderstruck (short story collection), a 2014 short story collection by Elizabeth McCracken
The music has its own rhythmic character ("long-short-short-long") and is centred on the interval of the perfect fourth. This first theme continues in the horns and bassoons while increasingly the music is developed by the woodwinds playing sixteenth-notes in parallel third motion until the second theme is presented and eventually takes over in ...
In music, the axis system is a system of analysis originating in the work of Ernő Lendvai, which he developed in his analysis of the music of Béla Bartók.. The axis system is "concerned with harmonic and tonal substitution", [1] and posits a novel type of functional relationship between tones and chords.