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The Threepenny Opera [a] (Die Dreigroschenoper [diː dʁaɪˈɡʁɔʃn̩ˌʔoːpɐ]) is a 1928 German "play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, The Beggar's Opera, [1] and four ballads by François Villon, with music by Kurt Weill. Although there is ...
Threepenny Novel (German: Dreigroschenroman) is a 1934 German novel by the dramatist and poet Bertolt Brecht, first published in Amsterdam by Allert de Lange [] in 1934. It is similar in structure to his more famous The Threepenny Opera and features several of the same characters such as Macheath, together with a general anti-capitalist focus and a didactic technique that is often associated ...
Pirate Jenny" (German: "Seeräuber-Jenny") is a well-known song from The Threepenny Opera by Kurt Weill, with lyrics by Bertolt Brecht. The English lyrics are by Marc Blitzstein . It is one of the best known songs in the opera, after " Mack the Knife ".
Foreman's work has been primarily produced by and performed at the Ontological-Hysteric Theater in New York, though he has gained acclaim as director for such productions as Bertolt Brecht's The Threepenny Opera at Lincoln Center and the premiere of Suzan-Lori Parks's Venus at the Public Theater. [citation needed]
The Threepenny Opera (German: Die 3 Groschen-Oper) is a 1931 German musical film directed by G. W. Pabst.Produced by Seymour Nebenzal's Nero-Film for Tonbild-Syndikat AG (), Berlin and Warner Bros. Pictures GmbH, Berlin, the film is loosely based on the 1928 musical theatre success of the same name by Bertolt Brecht and Kurt Weill.
Regina (1949) — opera — composer and orchestrator, librettist; Let's Make an Opera (1950) — special performance — director; King Lear (1950) — play revival — incidental music composer; The Threepenny Opera (1954) — operetta revival — editor of Bertolt Brecht's book and lyrics into English; Reuben, Reuben (1955) — opera
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