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Along with other Philippine rock songs at the time such as "Iskolar ng Bayan" by Yano and "Laklak" by Teeth, "Alapaap" became a subject of controversy due to its suggestive lyrics, which Senator Tito Sotto saw as promoting drug use. Sotto, who was a member of the Citizens' Drug Watch, called for the song to be banned from radio in August 1995. [1]
The album featured classic hits for the band such as "With a Smile", "Magasin", "Alapaap" and "Minsan". "Magasin" was based on a friend of Ely Buendia's who had dated actress Shirley Tesoro, who appeared in bomba films. [4] "Alapaap" became a subject of controversy for its suggestive imagery, which Senator Tito Sotto saw as promoting drug use. [5]
This is a list of every song ever released by Philippine alternative rock band Eraserheads. It gives information about songwriter(s), length, original release, and year of release. It contains all the songs of the previously released albums, singles and EPs, and all B-sides.
The title references the word "O-Chew" is a homonym for "Ocho" (Spanish word for eight) but changed word to "Chew", which refers to Bubble gum that homonym to name of the show. BaliSong Bente Nuebe - 29th Anniversary. - The two-part special with special guests are Pinky Amador, Michael Sager, Angel Guardian, Rabiya Mateo and XOXO.
The album was initiated by Jam 88.3 program director Eric Perpetua. When he approached the band’s record label BMG with the idea, they readily agreed as long as he selected artists “as befitting the stature of the Eraserheads”.
The phrase “for auld lang syne” essentially means “for (the sake of) old times”, which positions it as an apt song to sing at a time when people reflect on the past 12 months.
The song is described as a bittersweet "mini-epic" inspired by the Beatles, referencing the actress Paraluman and the tango standard "El Bimbo". [ 1 ] [ 2 ] "I had a huge crush on this girl who was older; she was the one who taught me the dance, and I think that was the first time I was really in love with a girl.
Cutterpillow is the third studio album by the Philippine alternative rock band Eraserheads, released on December 8, 1995 through BMG Records (Pilipinas), Inc.. It became the band’s most commercially successful album in the Philippines. [1]