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Many contemporary Chinese women artists have employed the use of female bodies as the subject of their artworks. From the ancient and imperial period of China until early the 19th century, women's body images in Chinese art were predominantly portrayed through male artists' lenses. As a result, female bodies were often misrepresented.
Double eyelids are unconditionally considered beautiful in East Asian society. [13] The double eyelid is a crease in the small flap of skin that covers the eye. It has been estimated that 17–32% of Chinese women lack this upper eyelid crease, giving them a monolid appearance. [14] However, this is not ideal when it comes to Chinese beauty.
Wikipedia:Featured picture candidates/File:Kitagawa Utamaro - Toji san bijin (Three Beauties of the Present Day)From Bijin-ga (Pictures of Beautiful Women), published by Tsutaya Juzaburo - Google Art Project.jpg; Wikipedia:Featured picture candidates/July-2014; Wikipedia:Featured pictures/Artwork/East Asian art; Wikipedia:Featured pictures ...
However, Japanese women may take steps to make themselves conventionally unattractive, as Japanese men may be intimidated by women who are 'too beautiful'. One example of a modern beauty ideal among Japanese women is yaeba/八重歯 ("double tooth"), which is the state of having crooked fang-like teeth. [4]
One of the earliest references to qualities later associated with the canonical Four Great Beauties appears in the Zhuangzi.In one chapter, the women Mao Qiang and Lady Li are described as "great beauties" who "when fish see them they dart into the depths, when birds see them they soar into the skies, when deer see them they bolt away without looking back".
Bijin-ga (美 (び) 人 (じん) 画 (が), "beautiful person picture") is a generic term for pictures of beautiful women in Japanese art, especially in woodblock printing of the ukiyo-e genre. Definition