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"Mi último adiós" engraved at the Rizal Shrine, Intramuros "Mi último adiós" is interpreted into 46 Philippine languages, including Filipino Sign Language, [7] and as of 2005, at least 35 English translations known and published (in print). The most popular English iteration is the 1911 translation of Charles Derbyshire, inscribed on bronze.
The poem has been translated to Tagalog by several authors. Early in the 20th century, the American translator Charles Derbyshire (whose English translation of Rizal's "Mi Ultimo Adios" is the most popular and most often recited version) translated the poem, but the translation contained flaws, as can be seen for example in the fifth line ...
Laubach had a deep interest in the Philippines. He wrote a biography of the Filipino national hero, Jose Rizal: Man and Martyr, published in Manila in 1936. He also translated the hero's valedictory poem, "Mi Ultimo Adios" (My Last Farewell).
This should be Mi Ultimo Adios. Also, an English explanation and translation would be highly aprreciated here. (Which I will work on if nobody else will.)Thanks. --Jondel 07:38, 16 Aug 2004 (UTC) My Last Farewell Goodbye, Fatherland adored, region of the sun beloved. Pearl of the sea, our lost paradise
He translated the hero's valedictory poem, in the original Spanish Mi Ultimo Adios, as "Land That I Love, Farewell!". [5] Joaquin represented the Philippines at the International PEN Congress in Tokyo in 1957, and was appointed as a member of the Motion Pictures commission under presidents Diosdado Macapagal and Ferdinand E. Marcos. [5]
Tomás N. Alonso (1881 – 1962) is a well-known Cebuano Visayan writer. He published the first complete Cebuano translation of Jose Rizal's El filibusterismo.He also translated the Mi último adiós.
Luis was the third child of Eugenio Dato y Esplana and Barbara Guevara y Imperial. His siblings were: Francisca Dato Flores; Rodolfo Dato (former Dean of the University of Nueva Caceres and edited the anthology Filipino Poetry in 1924); Soledad "Choleng" Dato Hidalgo (one of the senior editors of Bikolana magazine published in Naga City in the late 70s; and Pablo Dato.
The idea for the Oblation was conceived during the presidency of Rafael Palma, who was the one to commission Tolentino to make the sculpture. Palma requested that the statue would be based on the second verse of Rizal's Mi Ultimo Adios: In fields of battle, deliriously fighting, Others give you their lives, without doubt, without regret;