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Neurocinema or neurocinematics is the science of how watching movies, or particular scenes from movies affect our brains, and the response the human brain gives to any given movie or scene. [1] The term neurocinema comes from neurologists who are studying which pieces of a film can have the most control over a viewer's brain. [ 2 ]
The sociology of film deals with the sociological analysis of film. [1] According to a university class in it, the field includes "Contemporary cinema as a culture clue to social change; an introduction to the social forces involved in film-making in the United States and other cultures; the influence of films on mass and select audiences."
[6] Film cuts are instantaneous, perceptual, and sometimes temporal discontinuities that do not exist in our own realities. However, despite this, viewers accept cuts as a natural storytelling technique in film. Even though we see reality in a continuous flow of linked images, in movies, cuts seem to work, regardless of how experienced a viewer is.
Carl Weber's Influence is a 2020 American mystery thriller film written by Carl Weber and directed by Trey Haley. It based on Weber's 2018 novel Influence. The film stars Roger G. Smith, Kellita Smith, Drew Sidora, Nadine Ellis, Columbus Short, and R&B singers Anthony Hamilton and Deborah Cox. Rico Love produced original music for the movie. [1]
A film's genre will influence the use of filmmaking styles and techniques, such as the use of flashbacks and low-key lighting in film noir; tight framing in horror films; or fonts that look like rough-hewn logs for the titles of Western films. [6]
The Godfather Effect is a 2012 critically acclaimed study of The Godfather films – as well as Mario Puzo's 1969 novel – and their effect on American culture. [1] [2] Written by biographer Tom Santopietro, the book demonstrates how The Godfather was a turning point in American cultural consciousness.
The philosophy of film is a branch of aesthetics within the discipline of philosophy that seeks to understand the most basic questions about film. Philosophy of film has significant overlap with film theory , a branch of film studies .
[6] The focus of this theoretical film debate was the viewer subject and its relationship to cinema. The starting point was formed by the considerations of the French theorist Jean Louis Baudry and the writings on film theory by Christian Metz, whose Le signifiant imaginaire. Psychoanalyse et cinéma (1977, dt.: The imaginary signifier.