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A raised increase, knitting into row below (k-b, k 1 b) A lifted increase, knitting into the yarn between the stitches (inc, m1) Knit front and back (kfb) Purl front and back (, pass slipped stitch over (S1, K1, PSSO) for a left-leaning decrease. Knit two together through the back loops (K2tog tbl) for a left-leaning decrease.
There are two basic forms of knitting patterns: Text patterns which use numerals and words (and usually abbreviations), and; Chart patterns which use symbols in a chart. Some patterns include the entire instructions in both forms, as some knitters prefer one or the other. Some patterns mix the forms to take advantage of the best of each.
This style is achieved by carrying the yarn around the neck or from a necklace-style hook, allowing the knitter to knit on the reverse (purl) side, e.g. "inside out" compared to Western knitting techniques. Patterns are typically created by stranding the yarn on the outside of the piece.
Madonna Knitting, by Bertram of Minden 1400-1410 1855 sketch of a shepherd knitting, while watching his flock The Knitting Woman by William-Adolphe Bouguereau, 1869. Knitting is the process of using two or more needles to pull and loop yarn into a series of interconnected loops in order to create a finished garment or some other type of fabric.
Hand knitting patterns are designed to "flip" the fabric on every row so that the knitter consistently uses the dominant hand. However, machine knitting is consistently knit with the fabric facing the same way. Flat bed machines knit back and forth and circular machines knit continuously in the round.
A vast variety of cable patterns can be invented by changing the number of cables, the separations of their center lines, the amplitudes of their waves (i.e., how far they wander from their center line), the shape of the waves (e.g., sinusoidal versus triangular), and the relative position of the crests and troughs of each wave (e.g., one wave ...
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The ecclesiastical scarf was originally a loose wrap or muffler (band) that was worn around the neck when out of doors. In the English Church , in post-Reformation times, the minister wore the scarf over the surplice , which was a broad band of black silk with fringed ends arranged like the stole around the neck but falling nearly to the feet.