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A post-credits scene in 'Fast X' brings back a returning character and sets up the sequel 'Fast X: Part 2'. Here's everything to know about the sequence.
This post contains spoilers for Fast X. Plot twist! Fans of the Fast and the Furious franchise are in for a big surprise at the end of Fast X. Directed by Louis Leterrier, the latest installment ...
Fast X delivers plenty of surprises for Fast & Furious fans and we're not just talking about the shock ending that contains numerous cliffhangers.. The mid-credit scene brings back a familiar face ...
Fast X is a 2023 American action film directed by Louis Leterrier from a screenplay written by Dan Mazeau and Justin Lin, both of whom also co-wrote the story with Zach Dean. It is the sequel to F9 (2021), the tenth main installment, and the eleventh installment overall in the Fast & Furious franchise.
A Ponzi Scheme is explained. A post-credits scene shows Hoitz telling Gamble a joke while Gamble intermittently asks for clarification. Gamble ultimately finds the joke unfunny, then orders food in Chinese, causing Wahlberg to break character. Buried: A lighter illuminates the name "Mark White" on the lid of the coffin, written by Paul earlier.
In May 2023, it was announced that Johnson would be returning and reprising his role in a cameo appearance during the post-credits scene for Fast X. [128] In the mid-credits scene of Fast X, during a mission with several operatives agents, Luke Hobbs receives a call from Dante Reyes, who reveals that given Dom only crashed his father Hernan ...
Thus, the “Fast X” mid-credits scene not only sets up Hobbs’ reintegration into the main storyline, but also opens a plethora of possibilities about what road the upcoming 11th installment ...
Post-credits scenes may have their origins in encores, an additional performance added to the end of staged shows in response to audience applause. [1] Opera encores were common practice in the 19th century, when the story was often interrupted so a singer could repeat an aria, but fell out of favor in the 1920s due to rising emphasis on dramatic storytelling rather than vocal performance.