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Hugo Ball (German:; 22 February 1886 – 14 September 1927) was a German author, poet, and essentially the founder of the Dada movement in European art in Zürich in 1916. Among other accomplishments, he was a pioneer in the development of sound poetry.
Prior to this event, the technique had been published in an issue of 391 in the poem by Tzara, dada manifesto on feeble love and bitter love under the sub-title, TO MAKE A DADAIST POEM. [5] [1] In the 1950s, painter and writer Brion Gysin more fully developed the cut-up method after accidentally rediscovering it.
The poem became sufficiently famous to gain an English translation in 1922. It also provoked Berlin Dada into responding by exhibiting the effigy The Death Of Anna Blume, by Rudolf Schlichter at the First International Dada Fair, Berlin 1920. Richard Huelsenbeck in particular found the poem offensively sentimental and romantic;
Among the earliest female practitioners are Berlin poet Else Lasker-Schüler, who experimented in what she called "Ursprache" (Ur-language), and the New York Dada poet and performer Baroness Elsa von Freytag-Loringhoven. The Baroness's poem "Klink-Hratzvenga (Death-wail)" was published in The Little Review in March
Art historian Roger Cardinal describes Tristan Tzara's Dada poetry as marked by "extreme semantic and syntactic incoherence". [68] Tzara, who recommended destroying just as it is created, [216] had devised a personal system for writing poetry, which implied a seemingly chaotic reassembling of words that had been randomly cut out of newspapers.
Jane Heap considered the Baroness "the first American dada." She was an early female pioneer of sound poetry, [13] but also made creative use of the dash, [14] while many of her portmanteau compositions, such as "Kissambushed" and "Phalluspistol," [15] present miniature poems. Most of her poems remained unpublished until the publications of ...
The Dada Manifesto (French: Le Manifeste DaDa) is a short text written by Hugo Ball detailing the ideals underlying the Dadaist movement. It was presented at Zur Waag guildhall in Zürich at the first public Dada gathering on July 14, 1916. [ 1 ]
Emmy Hennings (born Emma Maria Cordsen, 17 January 1885 – 10 August 1948) was a German poet and performing artist, founder of the Dadaist Cabaret Voltaire with her second husband Hugo Ball. Known as the "start of the show," countless creative works have been inspired by her life, including a best-selling novel, a graphic novel, short films ...