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"Crystals" is a song written and recorded by Icelandic indie folk/indie pop band Of Monsters and Men. It is the lead single for their second studio album, Beneath the Skin . [ 1 ] The single and album artwork was created by artistic director Leif Podhajsky . [ 2 ]
Leupold and Stevens Mark 6 scope with variable magnification 3-18x44mm, mounted on a M24 SWS. IDF M24 SWS with Leupold Mark 6 3-18x44mm sniper scope. Leupold FX-II Ultralight scope on a Ruger 77/44.
Baptism" was written by Crystal Castles members Ethan Kath and Alice Glass, along with Luke Leeder. It was produced by Kath and Jacknife Lee . [ 2 ] It was released on 26 July 2010 through Fiction and Last Gang as the third and final single from the album. [ 2 ]
While the Crystals were on tour, Darlene Love of the Blossoms was asked by Phil Spector to record "He's Sure the Boy I Love". After being discredited from "He's a Rebel", Love urged Spector to give her a royalty contract with a rate of three cents per record. [5] The track was recorded at Gold Star Studios in Los Angeles in November 1962.
"Uptown" was originally written for Tony Orlando, but Spector convinced songwriters Cynthia Weil and Barry Mann to give him the song. [5] After acquisition, Spector changed some of the notes to ones that Barbara Alston of the Crystals could sing and modified the lyrics to be about an African American instead of a Latin American. [4]
"Little Boy" is a 1963 song by the Crystals written by Greenwich and Barry and produced by Phil Spector.The song reached #92 on the US chart. [1] [2]In its contemporary review, Cash Box said that "the overwhelming 'Phil Spector-instrumental sound' is much in evidence as the gals devote this one to their 'crush.'" [3]
In 2004, "He's a Rebel" was ranked No. 263 on Rolling Stone's 500 Greatest Songs of All Time. [2] Billboard named the song No. 31 on its list of 100 Greatest Girl Group Songs of All Time. [3] Also in 2004, the 1962 release of "He's a Rebel" on Philles Records by the Crystals was inducted into the Grammy Hall of Fame. [4]
The band previewed the song during their Fleetwood Mac Tour prior to the album’s release. [8] In 1998, Nicks recorded another version of the song for the Practical Magic soundtrack, this time with herself on lead vocals. Bob Aguirre, who played drums in a band with Nicks during the early 1970s, said that he was "floored by the way she sang it ...