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Point Blank was an American rock band hailing from Irving, Texas, United States.The band formed in 1974 in Irving, Texas, and recorded six albums between 1974 and 1982. [1] Garnering occasional airplay on AOR radio stations, the band is best known for their only hit single, "Nicole", from 1981.
The Complete On the Corner Sessions also contains seven of the eight tracks that made up the 1974 double album Get Up with It. (The other track, "Honky Tonk", appears in unedited form on The Complete Jack Johnson Sessions.) Not included in the set is the "Molester" 7" single (a different mix of "Black Satin"), although the record label is ...
A [[contr afact]] is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement.Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition.
Kim Davis (born in Toronto, Ontario) is a Canadian singer-songwriter. After starting her career as a background singer for artists such as John Legend, [1] she began recording and self-releasing solo material in 2007. Davis' lyrics draw from real life experiences, and her music fuses R&B, soul, hip hop, and reggae. [2]
The collaboration marks Rodgers' fifth, Moran's seventh, and Davis' first number one, on Billboard's Dance Club Songs chart, reaching the summit in its July 29, 2017 issue. [ 1 ] In an interview with Billboard the artists discussed how the collaboration came together, which began after Rodgers heard a rough demo of the song.
Davis agreed and then got the idea to "imitate the sound of Claude Thornhill but with less people" for his nonet recordings, as he says in his autobiography. [ 5 ] Jazz bassist Jaco Pastorius recorded a version of "Donna Lee" on bass guitar, with Don Alias on congas, for his debut album Jaco Pastorius (1976). [ 1 ]
The two chords that open and close Igor Stravinsky's Symphony of Psalms have distinctive sonorities arising out of the voicing of the notes. The first chord is sometimes called the Psalms chord. William W. Austin remarks: The first and last chords of the Symphony of Psalms are famous.
The English cadence is a type of full close featuring the blue seventh against the dominant chord [16] which in C would be B ♭ and G-B ♮-D. Measures 1–3 (Play ⓘ) and 41–42 (Play ⓘ) of Debussy's Feuilles Mortes, from his second book of Préludes (1913). The dominant 7 ♯ 9 chord appears in impressionist classical music.