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Four songs from the film's soundtrack entered the record charts in the United States: "Crying" by Roy Orbison (re-recorded as a duet with k.d. lang [3]); "Live My Life" by Boy George; "Catch Me (I'm Falling)" by Pretty Poison, which went top ten in the US and also topped the Billboard Hot Dance Club Play chart in September 1987; and the top-20 U.S. hit "You Don't Know" by Scarlett and Black.
It was included on the soundtrack to the film Hiding Out, which starred Jon Cryer and came out the same year; the song later appeared on Pretty Poison's debut album of the same name. It was the group's biggest hit single to date, peaking at number one on the Billboard Hot Dance Club Play chart in late September 1987. [1]
Hiding Out (soundtrack) Hoosiers (Best Shot) L. The Last Emperor (album) Less than Zero (soundtrack) Lethal Weapon (soundtrack) The Living Daylights (soundtrack) M.
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1987 In Time by View From The Hill (album) 1987 Hiding Out (soundtrack) (with Boy George) (album) 1987 Can't Wait to See the Movie by Roger Daltrey (album) 1987 Shove It by The Cross (album) 1987 Strongest by The Tallymen; 1987 Two in England by Two in England (Prod. Dee Harris) 1987 I'm A Man by Bert Bevans (Prod. Steve Short)
Belgica: Original Soundtrack: 2016 — Soulwax: From Deewee: 2017: Announcement "Zero Two Two Compact Disc" (022 is the album's catalogue number) Staind: Dysfunction: 1999 "Excess Baggage" (on some versions of the CD this track is within the pregap, others it starts 16:20 into the last track. This song is also sometimes mistakenly called "Black ...
Multitudes is the sixth studio album by the Canadian singer-songwriter Feist. It was released on April 14, 2023, by Polydor Records. It is Feist's first album since Pleasure (2017). Three songs from Multitudes were released simultaneously with the album announcement: "Hiding Out in the Open", "In Lightning", and "Love Who We Are Meant To". [1]
Kathy Nelson, who worked at MCA Records, served as a music editor on Dudes and brought in several artists to appear on the film's soundtrack. [8] At the time, the Los Angeles punk rock scene was giving way to heavy metal ; Spheeris liked both genres, and worked them both into the soundtrack, although she later thought this caused confusion ...