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The New Formalism is a movement originating ca. 1977 in American poetry that promotes a return to metrical and rhymed verse. [101] [102] Rather than looking to the Confessionalists, they look to Robert Frost, Richard Wilbur, James Merrill, Anthony Hecht, and Donald Justice for poetic influence.
A movement originating ca. 1977 in American poetry advocating a return to traditional accentual-syllabic verse [139] [140] Dana Gioia, X.J. Kennedy, Brad Leithauser, Molly Peacock, Mary Jo Salter, Timothy Steele: Performance poetry: This is the lasting viral component of Spoken Word and one of the most popular forms of poetry in the 21st ...
Pages in category "American literary movements" ... Biker poetry; Black Arts Movement; Black Mountain poets; Black Renaissance in D.C. Blank Generation (literary) C.
The Library of Congress produces a guide to American poetry inspired by the 9/11 attacks, including anthologies and books dedicated to the subject. [33] [34] Robert Pinsky has a special place in American poetry as he was the poet laureate of the United States for three terms. [35] No other poet has been so honored.
New Formalism is a late 20th- and early 21st-century movement in American poetry that has promoted a return to metrical, rhymed verse and narrative poetry on the grounds that all three are necessary if American poetry is to compete with novels and regain its former popularity among the American people.
Alemannisch; Аԥсшәа; العربية; Արեւմտահայերէն; অসমীয়া; Azərbaycanca; বাংলা; Башҡортса; Беларуская
The Black Mountain poets were largely free of literary convention, a feature which defined contemporary American poets. [6] Their work became characterized by open form. [3] Olson's pedagogical approach to poetry emphasized the importance of personal experience and direct observation, something which greatly influenced the Black Mountain poets. [7]
Proletarian poetry is a political poetry movement that developed in the United States during the 1920s and 1930s that expresses the class-conscious perspectives of the working-class. [2] Such poems are either explicitly Marxist or at least socialist , though they are often aesthetically disparate. [ 3 ]