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I've Been Waiting for You was released on 13 July 2018, alongside the soundtrack of Mamma Mia!Here We Go Again, by Capitol and Polydor Records.The song is performed by Amanda Seyfried (Sophie), Julie Walters (Rosie), and Christine Baranski (Tanya), and it was produced by Benny Andersson.
"I've Been Waiting for You" is a song written by Neil Young, which he recorded for his 1968 debut solo album. In a song review for AllMusic, critic Matthew Greenwald described it as "One of the most powerful and well-crafted songs from Neil Young's self-titled solo debut ...
I've Been Waiting for You can refer to: "I've Been Waiting for You" (Neil Young song), a song by Neil Young, later covered by Pixies and David Bowie "I've Been Waiting for You" (ABBA song), a song recorded in 1974 by Swedish pop group ABBA "I've Been Waiting for You", a 1990 song by Guys Next Door
"I've Been Waiting" is a song by American rappers Lil Peep and iLoveMakonnen featuring American rock band Fall Out Boy. It was released on January 31, 2019, through Columbia Records . It peaked at number sixty-two on the US Billboard Hot 100 chart, becoming Lil Peep's second highest-charting song.
One fan chimed in to say “I’ve been waiting for this one Kelly!!!” and another agreed, writing, “I lerv when you cover Chappell!!” while a third said, “I'm loving this @chappellroan ...
The song, like many on The Boatman's Call, seems to reflect on Nick Cave's personal relationships and spiritual yearnings at the time of writing. This song in particular is widely speculated to either be a love song or directed at either the mother of Cave's son Luke, Viviane Carneiro, or PJ Harvey, with whom Cave had a brief relationship prior to the album's recording and release.
"Waiting for a Girl Like You" is a 1981 power ballad [2] by the British-American rock band Foreigner released as the second single from the album 4 (1981) and was co-written by Lou Gramm and Mick Jones. The opening motif was written by Ian McDonald [4] and the distinctive synthesizer theme was performed by the then-little-known Thomas Dolby.
Music critic Rick Florino referred to the song as "everything rock 'n' roll fans at large have been waiting for". [5] Amy Sciarreto at Loudwire described the song as "a frenetic, fast-paced song that calls to mind the band's earlier catalog, thanks to raw, booming riffs, jackhammer percussion and Chris Cornell's bluesy, soulful pipes."