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Federico del Sagrado Corazón de Jesús García Lorca [a] [b] (5 June 1898 – 19 August 1936) was a Spanish poet, playwright, and theatre director. García Lorca achieved international recognition as an emblematic member of the Generation of '27, a group consisting mostly of poets who introduced the tenets of European movements (such as symbolism, futurism, and surrealism) into Spanish ...
Un Chien Andalou has no plot in the conventional sense of the word. With disjointed chronology, jumping from the initial "once upon a time" to "eight years later" without events or characters changing, it uses dream logic in narrative flow that can be described in terms of the then-popular Freudian free association , presenting a series of ...
García Lorca, Federico. 1970. Five Plays: Comedies and Tragi-Comedies. Trans. James Graham-Lujan and Richard L. O'Connell. London: Penguin. ISBN 0140181253. Includes: The Billy-Club Puppets, The Shoemaker's Prodigious Wife, The Love of Don Perlimplín and Belisa in the Garden, Doña Rosita, the Spinster, The Butterfly's Evil Spell.
The Romancero gitano (often translated into English as Gypsy Ballads) is a poetry collection by Spanish writer Federico García Lorca.First published in 1928, it is composed of eighteen romances with subjects like the night, death, the sky, and the moon.
Mariana Pineda is a play by the Spanish playwright and poet Federico García Lorca.It is based on the life of Mariana de Pineda Muñoz, whose opposition to Ferdinand VII (and subsequent public execution in 1831 for treason) had become part of the folklore of Granada.
Lorca's self-portrait for Poet in New York. Poet in New York (in Spanish, Poeta en Nueva York) is one of the most important works of Spanish author Federico García Lorca.It is a body of poems composed during the visit of the poet to Columbia University in New York in 1929 and 1930.
But by April 1939, Miguel de Unamuno, Antonio Machado, and Federico García Lorca, among others, were dead. All but a small handful of the remaining writers had fled into exile, dispersed across the length of the American continent, most never to enjoy the close associations of conferences, tertulias, and theater premiers that had so often ...
The critic for ABC, Lorenzo López Sancho, wrote in his review of the Madrid production: "It seems to me that in When Five Years Pass we see the true depth of the great theatrical personality that García Lorca would have become and, probably, his most original and experimental contribution to the theatre." [3]