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Confucian art is art inspired by the writings of Confucius, and Confucian teachings. Confucian art originated in China , then spread westwards on the Silk Road , southward down to southern China and then onto Southeast Asia , and eastwards through northern China on to Japan and Korea .
The Jesuits of the Jesuit China missions made efforts to adopt Chinese customs. Here Nicolas Trigault (1577–1628) in Chinese costume, by Peter Paul Rubens.. Unlike the American landmass, which had been conquered by military force by Spain and Portugal, European missionaries encountered in Asia united, literate societies that were as yet untouched by European influence or national endeavor.
In the late Tang, Confucianism further developed in response to the increasing influence of Buddhism and Taoism and was reformulated as Neo-Confucianism. This reinvigorated form was adopted as the basis of the imperial exams and the core philosophy of the scholar-official class in the Song dynasty (960–1297).
The Six Arts were practiced by scholars and existed before Confucius, but became a part of Confucian philosophy. As such, Xu Gan (170–217 CE) discusses them in the Balanced Discourses. [citation needed] The Six Arts were practiced by the 72 disciples of Confucius. [2] The Six Arts concept developed during the pre-imperial period. It ...
Intellectuals’ taste could influence artists to a large extent since they are also important patrons of art. Although whether the artists are able to understand the cultural connotations of Chinese porcelains is quite ambiguous, the wave of the chinoiserie may permeate into the artistic group. [ 11 ]
Confucius's moral system was based upon empathy and understanding others, rather than divinely ordained rules. To develop one's spontaneous responses of rén so that these could guide action intuitively was even better than living by the rules of yì. Confucius asserts that virtue is a mean between extremes.
Before the 1800s, the Christian church was a major influence on European art, and commissions from the Church provided the major source of work for artists. In the same period there was also a renewed interest in classical mythology, great wars, heroes and heroines, and themes not connected to religion. [9]
The Religion of China: Confucianism and Taoism is a book written by Max Weber, a German economist and sociologist. It was first published in German under the title Konfuzianismus und Taoismus in 1915 and an adapted version appeared in 1920.