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  2. Boundary microphone - Wikipedia

    en.wikipedia.org/wiki/Boundary_microphone

    Boundary microphone (Audio-Technica ATM87R) A boundary microphone (or pressure zone microphone) is one or more small omnidirectional or cardioid condenser mic capsule(s) positioned near or flush with a boundary (surface) such as a floor, table, or wall. The capsule(s) is/are typically mounted in a flat plate or housing.

  3. ORTF stereo technique - Wikipedia

    en.wikipedia.org/wiki/ORTF_stereo_technique

    The microphones should be as similar as possible, preferably a frequency-matched pair of an identical type and model. The result is a realistic stereo field that has reasonable compatibility with mono playback. Since the cardioid polar pattern rejects off-axis sound, less of the ambient room characteristics are picked up.

  4. Valve microphone - Wikipedia

    en.wikipedia.org/wiki/Valve_microphone

    The U47 was the first condenser microphone switchable between cardioid and omni-directional pick-up patterns. It incorporated the highly successful 12- micron -thick M7 capsule and VF-14 tube amplifier, which was a metal-clad pre-World War II pentode changed to work as a triode .

  5. Shure SM58 - Wikipedia

    en.wikipedia.org/wiki/Shure_SM58

    The Shure SM58 is a professional cardioid dynamic microphone, commonly used in live vocal applications. Produced since 1966 by Shure Incorporated , it has built a reputation among musicians for its durability and sound, and is still the industry standard for live vocal performance microphones.

  6. Shure SM57 - Wikipedia

    en.wikipedia.org/wiki/Shure_SM57

    The microphone kit (two SM57 microphones, windscreens, microphone stands, and black right-angle XLR cables) is referred to as the VIP/high-profile microphone kit. The SM57 is a popular choice of musicians due to its sturdy construction and ability to work well with instruments that produce high sound pressure levels , such as percussion ...

  7. Microphone - Wikipedia

    en.wikipedia.org/wiki/Microphone

    A super-cardioid microphone is similar to a hyper-cardioid, except there is more front pickup and less rear pickup. It is produced with about a 5:3 ratio, with nulls at 126.9°. This ratio maximizes the front-back ratio; the energy ratio between front and rear radiation. [50] [51] The sub-cardioid microphone has no null points. It is produced ...

  8. Electro-Voice RE20 - Wikipedia

    en.wikipedia.org/wiki/Electro-Voice_RE20

    The Electro-Voice RE20 is an American professional cardioid dynamic microphone, commonly used in broadcasting applications since 1968. Designed by Electro-Voice using the company's patented Variable-D technology and a large-diaphragm element, it has been described as an industry standard "iconic" microphone for its natural sound and its wide ...

  9. Microphone practice - Wikipedia

    en.wikipedia.org/wiki/Microphone_practice

    A didgeridoo miked with a small phantom powered condenser microphone that clips onto the instrument.. There are a number of well-developed microphone techniques used for recording musical, film, or voice sources or picking up sounds as part of sound reinforcement systems.