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Styles of music unique to the nation of Haiti include music derived from rara parading music, twoubadou ballads, mini-jazz rock bands, rasin movement, hip hop Creòle, the wildly popular compas, [1] and méringue as its basic rhythm. Haitian music is influenced mostly by European colonial ties and African migration (through slavery).
Haitian music industry (2 C) Haitian musical instruments (5 P) M. Music organizations based in Haiti (1 C) S. Haitian songs (2 C, 2 P) Haitian styles of music (2 C, 14 P)
More than 50 years after a Haitian saxophonist and band leader by the name of Nemours Jean-Baptiste founded the new style of Haitian dance music that he called “Compas Direct,” the music is ...
Haitian folk music (2 C, 1 P) H. Haitian hip hop (2 C, 1 P) Pages in category "Haitian styles of music" The following 14 pages are in this category, out of 14 total.
Twoubadou (Haitian Creole pronunciation:; French: Troubadour) music is a popular genre of guitar-based music from Haiti that has a long and important place in Haitian culture. The word comes from troubadour, a medieval poet-musician who wrote and sang songs about courtly love. Like the troubadours of old, the Haitian twoubadou is a singer ...
Méringue (French pronunciation:; Haitian Creole: mereng), also called méringue lente or méringue de salon (slow or salon méringue), [1] [2] is a dance music and national symbol in Haiti. [3] It is a string-based style played on the guitar , horn section, piano, and other string instruments unlike the accordion -based merengue , and is ...
Tabou Combo was the first Haitian band to perform in Japan, Ivory Coast, Senegal among others, and were named the "Official Panamanian Band" in Panama due to their popularity, while also becoming the first Caribbean band to have a number one single in the French Hit Parade. They dynamically sung their songs in both English, French, Spanish and ...
Jean Gesner Henry (10 May 1925 – 29 January 1998), known professionally as Coupé Cloué, was a Haitian footballer, singer, guitarist, and bandleader. He was known for defining a style of Haitian kompa music he called kompa manba, and for the sometimes bawdy innuendo used in his songs.