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29th Street is a 1991 American comedy-drama film written and directed by George Gallo and starring Danny Aiello, Anthony LaPaglia, and Lainie Kazan. It was adapted from a story by Frank Pesce and James Franciscus (who had both co-starred in the cult thriller Killer Fish ).
29th Street - a 1991 film by George Gallo Topics referred to by the same term This disambiguation page lists articles about roads and streets with the same name.
29th Street (1991) – comedy drama film based on the true-life story of actor Frank Pesce, who won the first New York State Lottery in 1976 [84]; A Triumph of the Heart: The Ricky Bell Story (1991) – biographical drama television film recounting the life of Ricky Bell, a Tampa Bay Buccaneers running back sickened with dermatomyositis, and Ryan Blankenship, a physically impaired child [85]
Pesce started his film career as an extra in The Godfather Part II, [3] and got his first credited role in 1976, in an episode of the television series Police Story. [4] He guest-starred a large number of well-known TV-series, including Knight Rider, Kojak and Matlock, and was a busy character actor in films, notably appearing in Rocky, Top Gun, Beverly Hills Cop and Flashdance. [4]
Anthony LaPaglia (/ l ə ˈ p ɑː l i ə /, Italian pronunciation: [laˈpaʎʎa]; born 31 January 1959) [1] is an Australian actor. He has won three AACTA Awards, Best Actor in a Leading Role for Lantana (2001) and Balibo (2009), and Best Actor in a Supporting Role for Nitram (2021).
29th Street (film) A. Ashakara; Attintlo Adde Mogudu; B. Beauty and the Beast (1991 film) C. Cartier Project; Condominio; D. The Doors (film) Dutch (1991 film) E. The ...
The 29th Street Rep's 2000 production of its adaptation of nine short stories from Charles Bukowski's South of No North (Tales of the Buried Life) was a big hit, running over 100 performances. This was followed by ts revival of Sam Shepard 's Fool for Love enjoyed a 19-week run of 122 total performances, ranking as the company's most successful ...
Most New York critics [3] and Roger Ebert [4] wrote positive reviews on the movie. James Wolcott dissented, concluding that the film "[wore] its liberal pieties like a crown of thorns ," although he reserved praise for Karabatsos' work, writing that he "carries his hulk with impressive menace as a slime-souled bail bondsman ."