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List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
The sound frequency doubles for corresponding notes from one octave to the next. The ratio is 3/2 = 1.5 for a perfect fifth, for example from C to G on a major scale, and 5/4 = 1.25 for a major third, for example from C to E. A major scale may be seen as two identical tetrachords separated by a whole tone. Each tetrachord consists of two whole ...
Major-chord progressions are constructed in the harmonization of major scales in triads. [21] For example, stacking the C-major scale with thirds creates a chord progression, which is traditionally enumerated with the Roman numerals I, ii, iii, IV, V, vi, vii o; its sub-progression C–F–G (I–IV–V) is used in popular music, [22] as ...
The diatonic scale (seven notes)—this includes the major scale and the natural minor; The melodic and harmonic minor scales (seven notes) These scales are used in all of their transpositions. The music of this period introduces modulation, which involves systematic changes from one scale to another. Modulation occurs in relatively ...
Diatonic scales such as the major and minor scales lend themselves particularly well to the construction of common chords because they contain many perfect fifths. Such scales predominate in those regions where harmony is an essential part of music, as, for example, in the common practice period of western classical music.
Gounod (in a review of Sibelius' Third Symphony) said that "only God composes in C major". Six of his own masses are written in C. [4] Of Franz Schubert's two symphonies in the key, the first is nicknamed the "Little C major" and the second the "Great C major". Scott Joplin's "The Entertainer" is written in C major.