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Kelly Cherelle Price (born April 4, 1973) is an American R&B and gospel singer. Beginning her career in 1992, [1] Price originally performed backing vocals for Mariah Carey on multiple songs, including Carey's Billboard Hot 100-number one singles "All I Want for Christmas Is You" and "Fantasy."
Connections with heavy-hitters such as Puff Daddy, R. Kelly and Ronald Isley, all of whom provided production touches to this debut album, may help Price avoid a similar fate." [4] AllMusic editor Stephen Thomas Erlewine called Price an "urban crooner, much like a streetwise Mariah Carey or a domesticated Mary J. Blige.
American singer Kelly Price started her singing career in 1992. [1] She worked as a backing vocalist for singer Mariah Carey, before rising to greater prominence after making uncredited guest appearances on singles by rappers The Notorious B.I.G., and Mase. In 1998, Price released her debut album Soul of a Woman.
"I'll Be There" (Emma Bunton song), 2003 "I'll Be There" (The Escape Club song), 1991 "I'll Be There" (Jackson 5 song), 1970, notably covered as a duet by Mariah Carey and Trey Lorenz (1992) "I'll Be There" (Jess Glynne song), 2018 "I'll Be There" (Tiffany Evans song), 2010 "I'll Be There (If You Ever Want Me)", by Ray Price, 1954
The song's co-authors, Carey and Walter Afanasieff, are in a mystifying feud. The authors of a different song with the same title have sued seeking $20 million in damages.
Additionally, the song was released as a single on November 2, 1998, serving as the lead single for the soundtrack and for both Houston's fourth studio album, My Love Is Your Love by Arista Records, and the second single and first commercial single for Carey's first compilation album, #1's by Columbia Records.
A 2017 report by The Economist claims that the song had earned Carey over $60 million in its then 23 years, between streaming platforms and other royalty payments like radio plays, ...
Mariah Carey is still making a ton of money on her iconic hit “All I Want for Christmas Is You.”. According to The Economist, the track earned $60 million in royalties between its 1994 release ...