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The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing. The other 3 notes of the chord are voiced as closely as possible below the melody note, which is the definition of a block chord. [1]
"Ach, wie ist's möglich dann" also known as "Treue Liebe" (True/Loyal Love), and “How Can I Leave Thee” is a German now-traditional song.Friedrich Wilhelm Kücken (1810–1882), a German composer and conductor, claimed to have composed the tune, and that it was later modified "probably by Silcher" ("wahrscheinlich von Silcher her") and given the general name Thüringer Volkslied ...
Sign singing or Karaoke signing is singing using sign language. Typically a song is played, and the performer expressively performs a sign language version of the lyrics. Whereas vocal singing uses pitch and tone to convey expressions, sign singing relies on the performer's hands, body, and facial expressions. [1] [2]
The ukulele (/ ˌ juː k ə ˈ l eɪ l i / yoo-kə-LAY-lee; from Hawaiian: ʻukulele [ˈʔukuˈlɛlɛ]), also called a uke, is a member of the lute family of instruments of Portuguese origin and popularized in Hawaii. The tone and volume of the instrument vary with size and construction. Ukuleles commonly come in four sizes: soprano, concert ...
"Earache My Eye" is a comedy routine and song by Cheech and Chong from their 1974 album Cheech & Chong's Wedding Album. The skit is about a teenager (played by Tommy Chong) who wakes up and listens to a song by "Alice Bowie" (Cheech Marin), while his father (also played by Marin) yells at him to get ready for school.
It samples Luiz Bonfá's instrumental "Seville" from his album, Luiz Bonfá Plays Great Songs (1967), with additional instrumentations of beats and a xylophone playing a melody based on "Baa, Baa, Black Sheep". Commercially, "Somebody That I Used to Know" was a global success and became both artists' signature song.
In both schools—one being all free-stroke (Giuliani arpeggio practice) and the other rest-stroke (Segovia scale practice) -- the basis for learning the technique is hours of repetition. In 1983, Richard Provost outlined principles of scale and arpeggio technique based on his study of anatomy to make the 'inherent kinesthetic tendencies' ("our ...
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).