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During this period, women's underwear consisted of a washable linen chemise or smock. This was the only article of clothing that was worn by every woman, regardless of class. Wealthy women's smocks were embroidered and trimmed with narrow lace. Smocks were made of rectangular lengths of linen; in northern Europe the smock skimmed the body and ...
The low front opening now laces over the kirtle or an inserted panel or plackard, and the gown is draped up to reveal the richer fabric of the kirtle skirt. Long gowns of the 1480s are carried looped up to allow walking, displaying the kirtle beneath. In this allegory of True Love, the woman wears a pointed hennin with a sheer veil. Her gown is ...
Volhynian peasant wedding, 1917. Groom and bride wear a svyta. Both men and women wore long coats called svyta (Ukrainian: свита; опанча; куртина; сермяга), which reached at least to the knees. [22] Svyta had a straight back, sewn-in side wedges that created folds, and a stand-up, turnover, or falling collar. [25]
Jerkins closed to the neck; their skirts were shorter and slightly flared rather than full, and they displayed more of the hose. Overall the fashion was more rigid and restrained. [27] Lower-class men wore a one-piece garment called a cotte in English, tight to the waist with knee-length skirts and long sleeves over their hose.
A peasant girl wearing a sarafan (1909), by Sergey Prokudin-Gorsky. A sarafan (Russian: сарафа́н, IPA: [sərɐˈfan], from Persian: سراپا sarāpā, literally "[from] head to feet") [1] is a long, trapezoidal Russian jumper dress (pinafore dress) worn by girls and women and forming part of Russian traditional folk costume.
The women's sack-back gowns and the men's coats over long waistcoats are characteristic of this period. Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English ...