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In the 1850s, during the Victorian era prior to Morris, most English wallpaper was inspired by the geometric and historical designs of Augustus Welby Pugin, who had created the neo-Gothic interiors of Westminster Palace, and Owen Jones, notable for his abstract geometric patterns. Wallpaper design was also strongly influenced by imitations of ...
A wallpaper group (or plane symmetry group or plane crystallographic group) is a mathematical classification of a two-dimensional repetitive pattern, based on the symmetries in the pattern. Such patterns occur frequently in architecture and decorative art , especially in textiles , tiles , and wallpaper .
Opting for small, repetitive patterns can create a uniform backdrop for mirrors and fixtures that feels almost like a wallpaper. Here, Sanders achieves this effect using the gray Savoy Triangles ...
In 1810, Marie-Louise acquired gondola-shaped chairs, painted in grey with white rechamp, upholstered by the upholsterer Darrac in toile de Jouy with a green background inlaid with a medallion. The two armchairs, four chairs, and two footstools were reupholstered in 1828 by Laflèche in damask jaune. [ 157 ]
The gray rhombus is a primitive cell. Vectors a 1 {\displaystyle \mathbf {a} _{1}} and a 2 {\displaystyle \mathbf {a} _{2}} are primitive translation vectors. The honeycomb point set is a special case of the hexagonal lattice with a two-atom basis. [ 1 ]
Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. [1] These artists also looked for inspiration outside of the United States. The influence of Islamic tile work from Spain and North Africa are visible in the geometric, floral patterns.