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However, this specification is insufficient to compare lenses for different cameras, because field of view also depends on sensor size. For example, a 50 mm lens mounted on a Nikon D3 (a full-frame camera) provides approximately the same field of view as a 32 mm lens mounted on a Sony α100 (an APS-C camera). Conversely, the same lens can ...
Full frame: 24.4 F-mount: 100 1005 51 50 6400 5 3 yes no CF (2x) 160x157x88 1220 Dec 2008: Nikon: D3S: Full frame: 12.1 F-mount: 100 1005 51 100 102400 9 3 yes yes CF (2x) 160x157x88 1246 Oct 2009: Nikon: D850: Full frame: 45.7 F-mount: 100 180000 153 64 25600 7: 3.2 yes yes CF + XQD: 146x124x79 1005 Oct 2017: Nikon: D810: Full frame: 36.3 F ...
For example, a 24 mm lens on a camera with a crop factor of 1.5 has a 62° diagonal angle of view, the same as that of a 36 mm lens on a 35 mm film camera. On a full-frame digital camera, the 24 mm lens has the same 84° angle of view as it would on a 35 mm film camera.
The Canon EF 28–90mm f / 4–5.6 is a full frame SLR zoom lens, also often included as a kit lens with Canon EOS film cameras. The maximum aperture is f / 4 at 28mm, reducing to f / 5.6 at 90mm. When set to 90mm, this will create a moderate amount of background blur for portrait photography.
There is no precise definition of the term, but lenses marketed as "standard zoom" usually cover a range of at least 30mm to 70mm in terms of 35mm equivalent focal length with an optical zoom ratio of 2.5× (e.g. 28-70mm) to 5× (e.g. 24-120mm) — the most common being 3× (e.g. 24-70mm). [1]
Front and rear views of a Canon EF50mm f/1.4 USM. The EF 50mm lenses are a group of normal prime lenses made by Canon that share the same focal length.These lenses are based on the classic double-Gauss lens, [1] with the f/1.8 being a standard six-element double-Gauss with an air gap and powers between element 2 and 3 [1] and its faster cousins adding additional elements. [2]