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Debra Austin was the very first African-American ballerina to receive a principal dancer contract with a major American ballet company [3] in 1982 with the Pennsylvania Ballet. There she danced the principal roles in Swan Lake, Giselle, Coppélia, and La Sylphide. Dancing these roles with a white partner was a further breakthrough.
She made the cut and became the dance company's first African American Rockette in its then-62-year history. [2] She was chosen out of 221 women who had auditioned for the 26 open spots on the coveted line. [3] Out of the 23 other women who were contracted for on-call vacancies in the New York City production, she was the only African American. [3]
It includes American female dancers that can also be found in the parent category, or in diffusing subcategories of the parent. This is a non-diffusing subcategory of Category:African-American dancers .
Misty Copeland has grown used to having the spotlight on her at center stage. In 2015, Copeland sprang into the highest echelons of dance when she became the first African American woman to be a ...
African-American dance is a form of dance that was created by Africans in the Diaspora, ... Florence Mills was the first Black woman to headline a Broadway venue, ...
[136] [137] According to Los Angeles Times writer Jevon Phillips, she is the first African American woman to dance the role. [138] The same month, she was praised in the dual role of Queen of the Dryads and Mercedes in Don Quixote by Brian Seibert of The New York Times , although Jerry Hochman of Critical Dance felt that she was not as ...
On June 30, 2015, Copeland became the first African American woman to be promoted to principal dancer in ABT's 75-year history. [4] Jean Coralli (1779–1854), French dancer and choreographer and later held the esteemed post of First Balletmaster of the Paris Opera Ballet.
African-American female dancers (2 C, 137 P) African-American male dancers (1 C, 123 P) B. African-American ballet dancers (2 C, 1 P) C. African-American ...