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African-American dance is a form of dance that was created by Africans in the Diaspora, specifically the United States.It has developed within various spaces throughout African-American communities in the United States, rather than studios, schools, or companies.
Debra Austin was the very first African-American ballerina to receive a principal dancer contract with a major American ballet company [3] in 1982 with the Pennsylvania Ballet. There she danced the principal roles in Swan Lake, Giselle, Coppélia, and La Sylphide. Dancing these roles with a white partner was a further breakthrough.
Josephine Baker was an American-born French dancer and singer who symbolized the beauty and vitality of Black-American culture in the 1920s. Baker went on to become one of the most popular music ...
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Over the last decade, Black women have made some major strides in dance. In 2015, Misty Copeland made history when she became the first Black principal dancer in the American Ballet Theatre’s 75 ...
On June 30, 2015, Copeland became the first African American woman to be promoted to principal dancer in ABT's 75-year history. [ 4 ] Jean Coralli (1779–1854), French dancer and choreographer and later held the esteemed post of First Balletmaster of the Paris Opera Ballet.
Black Vaudeville is a term that specifically describes Vaudeville-era African American entertainers and the milieus of dance, music, and theatrical performances they created. Spanning the years between the 1880s and early 1930s, these acts not only brought elements and influences unique to American black culture directly to African Americans ...
McBroom-Manno was a featured dancer in the Metropolitan Opera's production of Aida, choreographed by Katherine Dunham, the first African-American choreographer at the Met since Hemsley Winfield set the dances for The Emperor Jones in 1933. Successful revues featuring the company included the universally acclaimed 1946 production Bal Nègre.