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Alongside the SC-55, Roland released the SB-55 (Sound Brush), an inexpensive MIDI sequencer module the same size as the Sound Canvas. Both the Sound Canvas and Sound Brush could be rackmounted alongside each other. Other models with comparable tone generators include Roland CM-300, Roland CM-500 and Roland SC-155 sound modules.
A Edirol Studio Canvas SD-80 displaying a user saved patch. Studio Canvas was a series of PCM sound modules with built in audio interfaces (some models only) sold under both Edirol and Roland branding. The samples contained in the ROMs of these units do not in all cases mirror the original SC-7 / SC-55 GM/GS samples. GM2 is downward compatible ...
It was released in 1992. It supports the General MIDI System and can also be used as a MIDI interface for a computer. The Roland SC-7 provides the basic (capital) Roland Sound Canvas sounds in a compact design for stand-alone, IBM PC/AT or Apple Macintosh computer use.
.Most XG standard tone generators can switch itself into TG300B mode, which is an emulation of the competing Roland GS standard that allows adequate playback of musical data bearing the GS logo. The XG-compatible Yamaha S-YXG50 SoftSynthesizer, which is discontinued, is an entirely software-based MIDI synth. It used a 2 MB or 4 MB wavetable ...
The Roland ED SC-8850 (Sound Canvas) is a GS-compatible MIDI sound module released in 1999 by Roland under the name RolandED. The SC-8850 was the first sound module to incorporate the new General MIDI Level 2 standard. The SC-8850 uses a PCM sampling engine based on that of the SC-88 Pro, and supports 128-voice polyphony with 64-part ...
The Roland MT-32 Multi-Timbre Sound Module is a MIDI synthesizer module first released in 1987 by Roland Corporation. It was originally marketed to amateur musicians as a budget external synthesizer with an original list price of $695.
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The Roland VariOS is a rack-mounted open-ended variable system module. It is possible to independently manipulate the pitch, time and formant of a sample, add effects and build complete audio-based arrangements—all in a real-time environment and without CPU drain.