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The loop of "number nine" featured in the recording fuelled the legend of Paul McCartney's death after it was reported that it sounded like "turn me on, dead man" when played backwards. [50] In an interview held at his home on 2 December 1968, Lennon was asked if "Revolution 9" was about death, because it seemed like that to the interviewer.
"Paul is dead" is an urban legend and conspiracy theory alleging that English musician Paul McCartney of the Beatles died in 1966 and was secretly replaced by a look-alike. The rumour began circulating in 1966, gaining broad popularity in September 1969 following reports on American college campuses.
The song was recorded on 8 October 1968 and was completed including all overdubs in this one session. [5] The Beatles also started and completed "The Continuing Story of Bungalow Bill" during the same recording session. [5] The chorus of the monaural mix of the song features louder backing vocals from Paul McCartney than the stereo mix.
[38] [39] A modified version of the song plays in the final scene, then over the closing credits of the episode; [40] when played backwards, McCartney can be heard reciting the recipe in the song. One of the backwards snippets says, "Oh, and by the way, I'm alive", [41] a reference to the "Paul is dead" urban legend. [38] [41]
The song speaks degradingly about angsty teenagers who look for backwards messages in music, and contains the lyrics "Play that record backwards / Here's a message yo for the suckas / Play that record backwards / And go fuck yourself." Moby "Machete" "I have to say goodbye." [62] Appears midway through the song. Motörhead
And the fact of the matter is, Paul has said to me, ‘There are four Beatles, and only the four of us knew what it was like to be in the Beatles. No one else did, and no one else ever will ...
When standardising the Beatles' releases for the worldwide compact disc release in 1987, EMI issued Magical Mystery Tour as a full-length album in true stereo. [103] It was the only example of an American reconfigured release being favoured over the EMI version. [ 194 ]
Harrison ended the song with a homage to George Formby, a Northern English comedian who the Beatles were fans of, adding a slight coda with a strummed banjo ukelele, [22] and an archive recording of John Lennon saying "turned out nice again!", Formby's catchphrase, played backwards. [23]