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As the Stations of the Cross are prayed during the season of Lent in Catholic churches, each station is traditionally followed by a verse of the Stabat Mater, composed in the 13th century by Franciscan Jacopone da Todi. James Matthew Wilson's poetic sequence, The Stations of the Cross, is written in the same meter as da Todi's poem. [37]
A red Cross of Saint James with flourished arms, surmounted with an escallop, was the emblem of the twelfth-century Galician and Castillian military Order of Santiago, named after Saint James the Greater. Saint Julian Cross: A Cross Crosslet tilted at 45 degrees with the tops pointing to the 'four corners of the world'.
The word cross is recorded in 11th-century Old English as cros, exclusively for the instrument of Christ's crucifixion, replacing the native Old English word rood.The word's history is complicated; it appears to have entered English from Old Irish, possibly via Old Norse, ultimately from the Latin crux (or its accusative crucem and its genitive crucis), "stake, cross".
The Christian cross, seen as representing the crucifixion of Jesus, is a symbol of Christianity. [1] It is related to the crucifix (a cross that includes a corpus (a representation of Jesus' body, usually three-dimensional) and to the more general family of cross symbols.
In heraldry, the cross is also called the Santiago cross or the cruz espada (English: sword cross). [1] It is a charge, or symbol, in the form of a cross.The design combines a cross fitchy or fitchée, one whose lower limb comes to a point, with either a cross fleury, [2] the arms of which end in fleurs-de-lis, or a cross moline where the ends of the arms are forked and rounded.
The San Damiano Cross is the large Romanesque rood cross before which St. Francis of Assisi was praying when he is said to have received the commission from the Lord to rebuild the Church. It now hangs in the Basilica of Saint Clare ( Basilica di Santa Chiara ) in Assisi , Italy, with a replica in its original position in the church of San ...
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Iconography [10] is part and parcel of all major world religions, though none represent medieval Christianity more so than the sign of the cross. [11] What designates this specific version of the Christian cross as distinctively Carolingian is its attachment to the Frankish royal family descended from Charles Martel, the role that Frankish clerics played in their theological conception or ...