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The aswang was born out of Philippine folklore, with stories of this terrifying creature dating back to at least the 16th century, when Spanish explorers created the first written record of the monster. The explorers noted that of all the monsters in their folklore, the aswang was the most feared by native people. [18]
The Aswang Phenomenon (2011), directed by Jordan Clark, is a documentary exploration of the aswang folklore and its effects on Philippine society. The evolution and history of the manananggal is explored from an anthropological, sexual and pop culture view.
A host of mythological creatures occur in the mythologies from the Philippines. Philippine mythological creatures are the mythological beasts, monsters, and enchanted beings of more than 140 ethnic groups in the Philippines. Each ethnic people has their own unique set of belief systems, which includes the belief in various mythological creatures.
Bal-Bal was also associated to Aswang, Amalanhig, and even to Busaw, which were all flesh eaters. They were classified to one of the most fearful creatures in the Philippines because of their appearance. They were even described and compared to the vampire of the western continents. [1] I
The story has still been considered unproven and remains arguably the most famous aswang story of all time. Sources state that the whole story and characters were all fictional and is a product of old native literature by the elderly Ilonggo people. The story is often told by adults, both young and old, to scare off disobedient children.
In the story, a Tikbalang becomes lonely for lack of a playmate during the full moon, a time when Filipino children of generations past traditionally went out to play in the moonlight. In a search for a playmate, the Tikbalang leaves his home in the Kalumpang tree and encounters first a Kapre , then a Nuno , an Aswang , and a Tiyanak before he ...
Kapres are said to dwell in big trees like acacias, mangoes, bamboo, and banyan (known in the Philippines as balete).It is also mostly seen sitting under those trees. The Kapre is said to wear the indigenous Northern Philippine loincloth known as bahag, and according to some, often wears a belt which gives the kapre the ability to be invisible to humans.
One of the main characters from the play Speech & Debate written by Stephen Karam is a woman with Filipino ancestry named Diwata. Marvel Comics has introduced the "Diwatas" as a pantheon of gods similar to the Asgardians and Olympians. These Diwatas include Aman Sinaya, Amihan, Anitun, Apo Laki, Aswang, Bathala, Mayari and Tala. [83]