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Byzantine art comprises the body of artistic products of the Eastern Roman Empire, [1] as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, [2] the start date of the Byzantine period is rather clearer in art history than in political history, if still ...
Byzantine mosaics are mosaics produced from the 4th to 15th [1] centuries in and under the influence of the Byzantine Empire. Mosaics were some of the most popular [ 2 ] and historically significant art forms produced in the empire, and they are still studied extensively by art historians. [ 3 ]
The technique was used from 1400 to 1830s in both the Cretan School and the Heptanese School. Michael Damaskinos began to mix Venetian painting and the traditional Greek Italian Byzantine painting style. The technique became an important component of the Cretan School.
Italo-Byzantine is a style term in art history, mostly used for medieval paintings produced in Italy under heavy influence from Byzantine art. [2] It initially covers religious paintings copying or imitating the standard Byzantine icon types, but painted by artists without a training in Byzantine techniques.
The art technique was known from the classical world, where it appears to have taken over from encaustic painting [citation needed] and was the main medium used for panel painting and illuminated manuscripts in the Byzantine world and Medieval and Early Renaissance Europe. Tempera painting was the primary panel painting medium for nearly every ...
It reflects her European and Armenian heritage, and is also influenced by Byzantine and Islamic techniques. The Saint Catherine's Monastery in Egypt was an important centre where a school of manuscript and icon painting that blended European and local influences emerged. Fortunately it has also been a very secure home for its collection of ...
In the aftermath of the Crusades there was unprecedentedly close contact between the Greek world and Western Europe, and Byzantine and Western artists borrowed each other's techniques. Fluency in multiple styles was useful for catering to a more diverse group of patrons, but these borrowings were also motivated by interest in foreign artworks ...
Beresford Hope Cross - circa 9th century Byzantine enamel of Empress Zoë from Monomachus crown - early 11th century. The craft of cloisonné enameling is a metal and glass-working tradition practiced in the Byzantine Empire from the 6th to the 12th century AD.