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Messiah (HWV 56) [1] [n 1] is an English-language oratorio composed in 1741 by George Frideric Handel.The text was compiled from the King James Bible and the Coverdale Psalter [n 2] by Charles Jennens.
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Pages in category "Messiah (Handel)" The following 17 pages are in this category, out of 17 total. This list may not reflect recent changes. ...
At the time of its release, music critics commented on the choir's "great romantic choral tone, deep with feeling that is able to communicate the inner meaning of the world's great choral music." Paul Hume, music critic for the Washington Post, wrote that "this sound of the Mormon Tabernacle Choir has been a special beacon for those who love ...
Messiah is not a typical Handel oratorio; there are no named characters, as are usually found in Handel's setting of the Old Testament stories, possibly to avoid charges of blasphemy. It is a meditation rather than a drama of personalities, lyrical in method; the narration of the story is carried on by implication, and there is no dialogue.
Pasticcio, composed in 1738. Music entirely by Handel. Overture published in HG volume 48 (p. 104). 40 Serse (Xerxes) 15 April 1738 King’s Theatre, London After Stampiglia A 14: Giove in Argo: 1 May 1739 King’s Theatre, London Adapted from A.M. Lucchini Pasticcio, composed in April 1739. Music entirely by Handel. Semi-staged. 41 Imeneo: 22 ...
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For Messiah, Handel used the same musical technique as for those works, namely a structure based on chorus and solo singing. The orchestra scoring is simple. Although Handel had good string players at his disposal for the Dublin premiere, [6] he may have been uncertain about the woodwind players who might be available.