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Illustration to Serlio, rusticated doorway of the type now called a Gibbs surround, 1537. Although rustication is known from a few buildings of Greek and Roman antiquity, for example Rome's Porta Maggiore, the method first became popular during the Renaissance, when the stone work of lower floors and sometimes entire facades of buildings were finished in this manner. [4]
Rusticated concrete block is the handmade product of in-field advances in cement making. [1] These concrete blocks first appeared in the late 19th century and are used mainly in residences and small building construction and are meant to resemble rusticated stone blocks.
During the Renaissance revival of classical culture, ancient Roman elements were often replicated in architecture, both built and imagined in paintings. In the Palazzo Medici Riccardi, the rusticated masonry and the cornice had precedents in Roman practice, yet in totality it looks distinctly Florentine, unlike any known Roman building.
The exterior walls are of rusticated stone cut from a local quarry operated by Merritt Black himself. The stone is a bit unusual for Queen Anne, but the varied surface finishes, the bay windows, the 3-story corner tower, the asymmetry, and the complex roof are all typical of the style. If the shape of the house looks a bit abrupt for Queen Anne ...
Constructed at a time when most homes in Columbus were built using brick, this Victorian boasts a rusticated stone front. Brick was readily available and affordable, while stone was a luxury that ...
“The cozy entry porch of this New England shingle-style home frames the home's main entrance with a classical column screen set against the home's large rusticated stone walls,”explains ...
The basement or ground floor is generally differentiated in the treatment of its masonry, and is often rusticated. The corners of early-19th-century examples generally have quoins or, in 20th-century buildings, there is often some emphasis that gives visual strength to the corners.
The rusticated masonry façade with a sparing use of Venetian Gothic and Richardsonian Romanesque details and the square corner bell tower with a crenellated parapet embellished with gargoyle gutter-spouts reveal Richardson's training.