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Coppélia (sometimes subtitled: La Fille aux Yeux d'Émail (The Girl with the Enamel Eyes) [1]) is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter.
Ashley retired from the New York City Ballet in 1997, shortly before she turned 47, after 30 years of dancing. [5] She was the longest-serving dancer at New York City Ballet at the time. [ 4 ] She remained in the company as a teaching associate until 2008, then went freelance to coach Balanchine ballets in other companies.
Coppelia may refer to: Coppélia, an 1870 comic ballet; Coppelia, a 2021 ballet film combining live dance with animation; Coppelia (ice cream parlor), in Havana, Cuba; 815 Coppelia, a minor planet (asteroid) Coppelia, the Animated Doll, a 1900 French short silent film
This dramatic ballet served as the climax of this musical production and has subsequently been presented as a stand-alone piece; however, several of the sung numbers in the show featured dance routines as well, notably the title number. Princess Zenobia Ballet (1936) Slaughter on Tenth Avenue (1936). Babes in Arms (1937), by Rodgers and Hart
New York City Ballet Ashley Bouder ( / ˈ b aʊ d ər / ; born December 10, 1983) is an American ballet dancer who is currently a principal dancer at the New York City Ballet . She also founded and currently runs her own project, The Ashley Bouder Project.
Edward Villella and Patricia McBride on USA DANCE: New York City Ballet (1965) performing George Balanchine's "Tarantella" on archive.org After retirement as a performer, Villella was the artistic coordinator of the Eglevsky Ballet from 1979 to 1984 and the director of Ballet Oklahoma (now Oklahoma City Ballet ) from 1983 to 1985.
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The National Ballet of Canada is a Canadian ballet company that was founded in 1951 in Toronto, Ontario, with Celia Franca, the first artistic director. A company of 70 dancers with its own orchestra, the National Ballet has been led since 2022 by artistic director Hope Muir .