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The first digital rangefinder camera commercially marketed was the Epson R-D1 (released in 2004), followed by the Leica M8 in 2006. [16] They were some of the first digital lens-interchangeable cameras without a reflex mirror, but they are not considered mirrorless cameras because they did not use an electronic viewfinder for live preview, but, rather, an optical viewfinder. [16]
More specifically, rangefinder cameras lack autofocus and employ a very different manual focusing method involving a rangefinder mechanism with an optical viewfinder. Furthermore, most digital rangefinder cameras (except Leica's recent models) lack live preview, which is sometimes considered a defining feature of mirrorless cameras.
The mirror box also prevents lenses with deeply recessed rear elements from being mounted close to the film or sensor unless the camera has a mirror lockup feature; this means that simple designs for wide angle lenses cannot be used. Instead, larger and more complex retrofocus designs are required.
Pages in category "Full-frame mirrorless interchangeable lens cameras" The following 37 pages are in this category, out of 37 total.
Cameras for the micro four-thirds system are designed with the option of a replaceable lens, and lenses that conform to this proprietary specification are accepted. Cameras for this system have the same sensor size as the Four-Thirds System but do not have the mirror and pentaprism to reduce the distance between the lens and sensor.
They employ the same Minolta A-mount as Sony Alpha DSLR cameras. [1] Sony SLT cameras have a semi-transparent fixed mirror which diverts a portion of incoming light to a phase-detection autofocus sensor, while the remaining light strikes a digital image sensor. The image sensor feeds the electronic viewfinder, and also records still images and ...
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Many large format cameras present the image of the scene being photographed as a flipped image through their viewfinders. Some photographers regard this as a beneficial feature, as the unfamiliarity of the format allows them to compose the elements of the picture properly without being distracted by the actual contents of the scene.