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During the ceremony, around 500 prisoners would be sacrificed. As many as 4,000 were reported killed in one of these ceremonies in 1727. [5] [6] [7] Most of the victims were sacrificed through decapitation, a tradition widely used by Dahomean kings, and the literal translation for the Fon name for the ceremony Xwetanu is "yearly head business". [8]
In Trinidad and Tobago many Christians participate in a "wake" in the days leading up to the funeral service which resembles the 'nine night' traditions of other islands. In this country, Christians celebrate the "nine-night" service nine days after the death of the deceased which may coincide with a few days after the funeral service and burial.
A masquerade ceremony (or masked rite, festival, procession or dance) is a cultural or religious event involving the wearing of masks. The practice has been seen throughout history from the prehistoric era to present day. They have a variety of themes. Their meanings can range from anything including life, death, and fertility.
African countries where masks are used traditionally Sande society sowei mask, 20th century Baoule Kple Kple Mask. Traditional African masks are worn in ceremonies and rituals across West, Central, and Southern Africa. They are used in events such as harvest celebrations, funerals, rites of passage, weddings, and coronations.
Traditional African religions generally hold the beliefs of life after death (a spirit world or realms, in which spirits, but also gods reside), with some also having a concept of reincarnation, in which deceased humans may reincarnate into their family lineage (blood lineage), if they want to, or have something to do.
Africa Explores: 20th-Century African Art. Center for African Art, 1994. Woodward, Richard B. African Art: Virginia Museum of Fine Arts. The Museum, 2000. Roberts, Allen F., et al. Animals in African Art: from the Familiar to the Marvelous. The Museum for African Art, 1995. "Baga - Art & Life in Africa - The University of Iowa Museum of Art."
There were many different reasons to hold a potlatch in Athabaskan culture, including the birth of a child, a surplus of food, or a death in the clan. The most elaborate of Athabaskan potlatches was the mortuary or funeral potlatch. [2] This marked "the separation of the deceased from society and is the last public expression of grief." [4]
Rukidi was the world's youngest monarch at the time, being only three years old. The boy was awakened at 2AM, then led to the palace where the rites would take place. At the entrance, Rukidi and his entourage engaged in a mock battle with a "rebel" prince, then entered to the accompaniment of the Omujaguza, the traditional Toro war-drum. [10]