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Through Agbadza, at the time known as Atrikpui, Ewe singers and poets sang about battles, life and death, heroism, cowardice, migration, conquest, imperialism, and a warrior ethos. [7] The move towards Agbadza was done due to a period of peace that was enjoyed by the Ewes around the 1920s, and so instead they decided to use some of their old ...
First, there is the "seeing". This is when someone looks at a doorway and sees the spirit. They then tell someone and that person tells someone and so on. The leader of the ceremony greets the duppy (spirit) and then the night song begins. This is a song played for the duppy while he or she is told stories by the elders.
In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. [1]
During the ceremony, around 500 prisoners would be sacrificed. As many as 4,000 were reported killed in one of these ceremonies in 1727. [5] [6] [7] Most of the victims were sacrificed through decapitation, a tradition widely used by Dahomean kings, and the literal translation for the Fon name for the ceremony Xwetanu is "yearly head business". [8]
The Aburukuwa is the smallest of the three drums used by the Asante people during rituals and ceremonies. The Aburukuwa and its sister drums, the Kwadum and the Apentemma , were typically covered by red and black felt to represent death and blood.
There were many different reasons to hold a potlatch in Athabaskan culture, including the birth of a child, a surplus of food, or a death in the clan. The most elaborate of Athabaskan potlatches was the mortuary or funeral potlatch. [2] This marked "the separation of the deceased from society and is the last public expression of grief." [4]
Traditional African religions generally hold the beliefs of life after death (a spirit world or realms, in which spirits, but also gods reside), with some also having a concept of reincarnation, in which deceased humans may reincarnate into their family lineage (blood lineage), if they want to, or have something to do.
Pygmy music refers to the sub-Saharan African music traditions of the Central African foragers (or "Pygmies"), predominantly in the Congo, the Central African Republic and Cameroon. Pygmy groups include the Bayaka, the Mbuti, and the Batwa. Music is an important part of Pygmy life, and casual performances take place during many of the day's events.