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Morrnah Nalamaku Simeona (May 19, 1913 – February 11, 1992) was recognized as a kahuna lapaʻau (healer) in Hawaiʻi and taught her updated version of hoʻoponopono throughout the United States, Asia, and Europe.
In contrast to Simeona's teachings, the book brings the new idea that the main objective of Hoʻoponopono is getting to the "zero state — it's where we have zero limits. No memories. No identity." [36]: 31 To reach this state, which Len called 'Self-I-Dentity thru Ho'oponopono', includes using the mantra, "I love you. I'm sorry.
The rites and prayers in the Blessing Way are concerned with healing, creation, harmony and peace. The song cycles recount the elaborate Navajo creation story (Diné Bahaneʼ). One of the most important Blessing Way rites is the Kinaaldá ceremony, in which a young girl makes the transition to womanhood upon her menarche. [1]
2 New to Ho'oponopono. 2 comments. 3 Old and New Ho'oponopono. 1 comment. 4 Please don't promote businesses or blogs. 1 comment. 5 Please explain. 1 comment. 6 Early ...
The original Noble sheet music differs. It starts with a four-bar instrumental introduction (5-1, F to Bb, with the "Humuhumunukunukuapuaa" melody) and then leads into an eight-bar vocal introduction with a unique melody that is not repeated later in the song, the lyrics setting up the theme of a homesick Hawaiian sailor yearning to return to Kona.
The song inspired a line in the Sublime song "Freeway Time in LA County Jail" which reads "And I'm back on the reef/where I throw my net out into the sea/all the fine hinas come swimming to me" Alf sang the chorus in the episode “It’s My Party” (Season 4, Episode 14) of ALF (TV series)
"Hawaiʻi Ponoʻī" ("Hawaii's Own") is the anthem of the U.S. state of Hawaii. It previously served as the national anthem of the independent Hawaiian Kingdom during the late 19th century, as well as the short Republic of Hawaii, and has continued to be Hawaii's official anthem ever since annexation by the United States in 1898.
The Gospel at Colonus is an African-American musical version of Sophocles's tragedy, Oedipus at Colonus. The show was created in 1983 by the experimental-theatre director Lee Breuer, one of the founders of the seminal American avant-garde theatre company Mabou Mines, and composer Bob Telson.