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The Kahiki restaurant was established at the height of popularity for tiki culture in the United States. Its owners, Bill Sapp and Lee Henry, had operated a bar nearby, the Grass Shack. The Polynesian-themed bar was frequented by World War II veterans in the 1950s. It was destroyed in a fire, prompting creation of the Kahiki Supper Club. [3]
'ote'a group dance. The ʻōteʻa (usually written as otea) is a traditional dance from Tahiti characterized by a rapid hip-shaking motion to percussion accompaniment. The dancers, standing in several rows, may be further choreographed to execute different figures (including tamau, varu, otamu, ami, and fa'arapu [1]) while maintaining the hip-shaking.
The term comes from hālau, literally, "long house, as for canoes or hula instruction"; "meeting house" [1], and hula, a Polynesian dance form of the Hawaiian Islands. Today, a hālau hula is commonly known as a school or formal institution for hula where the primary responsibility of the people within the hālau is to perpetuate the cultural ...
The Tonga Room of the Fairmont Hotel in San Francisco is an iconic tiki bar operating since 1945, still retaining its Polynesian flair after having undergone a number of facelifts over the years. [15] At one time the Sheraton Hotel, Hilton Hotel, and Marriott Hotel chains all had several tiki bars incorporated into their establishments.
Hula is the dance form originating in Hawaii. It derives from other Polynesian dance form. It has two basic forms: Hula Kahiko and Hula Auana. Hula Kahiko was developed prior to contact with European cultures. [2]
Line dancing at the Polynesian Cultural Center in Hawaii. Each dance is said to consist of a number of walls. A wall is the direction in which the dancers face at any given time: the front (the direction faced at the beginning of the dance), the back, or one of the sides.
The ʻupaʻupa (often written as upa upa) is a traditional dance from Tahiti. It was mentioned by European explorers, who described it as very indecent. It is not quite clear how similar the gestures at that time were with the now immensely popular tāmūrē. In both dances the performers form groups of pairs of a boy and a girl, dancing more ...
The Valley Dale Ballroom is a historic building in Columbus, Ohio.Constructed in 1925, it became a nationally known ballroom during the Big Band era of the 1930s and 1940s.