Ad
related to: wikipedia rhetoric of fiction stories free full text
Search results
Results From The WOW.Com Content Network
The rhetorical modes (also known as modes of discourse) are a broad traditional classification of the major kinds of formal and academic writing (including speech-writing) by their rhetorical (persuasive) purpose: narration, description, exposition, and argumentation.
Wayne Clayson Booth (February 22, 1921, in American Fork, Utah – October 10, 2005, in Chicago, Illinois) was an American literary critic and rhetorician.He was the George M. Pullman Distinguished Service Professor Emeritus in English Language & Literature and the College at the University of Chicago.
Comparative rhetoric is a practice and methodology that developed in the late twentieth century to broaden the study of rhetoric beyond the dominant rhetorical tradition that has been constructed and shaped in western Europe and the U.S. [136] [137] As a research practice, comparative rhetoric studies past and present cultures across the globe ...
"Tolkien and the Rhetoric of Childhood"-yes-Describes Bilbo Baggins's quest in The Hobbit as fitting the pattern of fiction for children, with an omniscient narrator, characters that children can identify with, a story that moves forwards in time, and a geography with separate safe and dangerous places. Joseph McLellan
A fiction-writing mode is a manner of writing imaginary stories with its own set of conventions regarding how, when, and where it should be used. Fiction is a form of narrative, one of the four rhetorical modes of discourse. Fiction-writing also has distinct forms of expression, or modes, each with its own purposes and conventions.
In his 1961 book The Rhetoric of Fiction, Wayne C. Booth introduced the term implied author to distinguish the virtual author of the text from the real author. In addition, he proposed another concept, the career-author : a composite of the implied authors of all of a given author's works. [ 2 ]
Damien Broderick builds on this concept, separating Brooke-Rose's criticism of Tolkien and the specific exposition in Tolkien's work, from the megatext concept itself and introducing other comparable science fiction theories, such as the work of Gary K. Wolfe in The Known and the Unknown: The Iconography of Science Fiction (1979). The "mega ...
A Rhetoric of Irony [1] is a book about irony by American literary critic Wayne Booth. Booth argues that in addition to forms of literary irony, there are ironies that lack a stable referent. Booth argues that in addition to forms of literary irony, there are ironies that lack a stable referent.