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The Belgian rave scene and sound have their roots in the late 1980s Belgian EBM and New Beat scenes. Originally created by DJs slowing down gay Hi-NRG 45rpm records to 33rpm to create a trance-dance groove, New Beat evolved into a native form of hardcore techno in the 1990s with the introduction of techno records played at their original speeds ...
Fantazia Summertime rave, May 1992. The rave scene expanded rapidly in the very early 1990s, both at clubs up and down the country including Labrynth, Shelley's Laserdome, The Eclipse, and Sanctuary Music Arena, and large raves in Warehouses and in the open air attracting 20–50,000 whether put on legally from promoters such as Fantazia and Raindance, or unlicensed by free party sound systems ...
Subsequently, Wilson instructed the band Happy Mondays to rename their EP from "Rave On" to "Madchester Rave On." [ 12 ] The Happy Mondays' lead vocalist, Shaun Ryder , recalled: "It was our video directors, the Bailey Brothers, who came up with the term 'Madchester,' but we said, 'Great, yeah, go with it,' because Manchester was mad at the time."
The post There’s a Riot Goin’ on: A Look Back on the 1990s Rave Riots in Los Angeles appeared first on SPIN. It was New Year’s Eve 1996. They had booked the Grand Olympic Auditorium in Los ...
See the photos below from some of the nightspots that dotted South Beach 20 to 30 years ago. And below these Miami Herald archive photos, check out the calendar of club events from 1994. It all ...
The breakbeat hardcore rave scene was beginning to fragment by late 1992 into a number of subsequent breakbeat-based genres: darkcore (tracks embracing dark-themed samples and stabs), hardcore jungle (reggae basslines and influences became prominent), and 4-beat also known as "happy hardcore" where piano rolls and uplifting vocals were still central to the sound. [2]
In the early 2000s, the party crew scene underwent changes, as hip-hop and reggaeton replaced house music; MySpace and Techno4Us became the primary mediums of advertisement; and the parties moved from backyards to mostly indoor venues. [9] In the early 2000s, noz also became an important part of party crew events. [9]
The Club Kids were a New York City-based artistic and fashion-conscious youth movement composed of nightlife personalities active from the late 1980s to 1996.Coined by a 1988 New York cover story, the Club Kids crossed over into the public consciousness through appearances on daytime talk shows, magazine editorials, fashion campaigns and music videos.