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Moreover, Central African/Congo influences are also documented in both son cubano and changüí, and initially the development of the bongo drum was in parallel with these genres. From such conceptual African drum models, the bongo developed further in Cuba itself, and some historians state that the attaching of the two drums was a later ...
A family of Latin American drums derived from the European bass drum Bombo legüero: Unpitched Membranophone Argentina Bonang: Indonesia Pitched 111.241.2 Idiophone Bones (instrument) Unpitched 111.11 Idiophone Bongo drum: Cuba Unpitched 211.251.2 Membranophone Boobam: United States Unpitched 211.211.1 Membranophone Boomwhacker: United States ...
This page was last edited on 15 September 2024, at 00:10 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Satọ Drum. Satọ drum is a single-faced drum which is very popular among the Ogu people of Badagry in Lagos State, Nigeria. [1] The Satọ is a tall twin drum with a height of 7 feet or more. In traditional Ogu culture, the drum is believed to ward off evil spirits. In contemporary times, Sato drum performance is a common feature in many ...
The bongo (Tragelaphus eurycerus) is a large, mostly nocturnal, forest-dwelling antelope, native to sub-Saharan Africa. Bongos are characterised by a striking reddish-brown coat, black and white markings, white-yellow stripes, and long slightly spiralled horns. It is the only tragelaphid in which both sexes have horns. Bongos have a complex ...
Afro-Caribbean music is a broad term for music styles originating in the Caribbean from the African diaspora. [1] These types of music usually have West African/Central African influence because of the presence and history of African people and their descendants living in the Caribbean, as a result of the trans-Atlantic slave trade. [2]
This page was last edited on 15 November 2017, at 15:01 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
In 1972, Nze Dan Orji, and Raphael Amarabem formed the Peacocks International Band. The band’s first single, “Sambola Mama,” was the first truly popular Bongo music. It would go on to sell 150,000 copies in Ghana, and more than double that amount in Nigeria. The 1970s and ‘80s marked the strongest periods in the trajectory of Bongo ...