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From soft pastel pencil drawings to watercolor paintings and pen and ink, Pogany utilized a variety of media in his illustrations. [ 9 ] Pogany's beautiful and bizarre illustrations for Padraic Colum 's The King of Ireland's Son use brilliant color and startlingly modern styles of seeing to show the magical journey of the hero, his beloved ...
Discomforts of an Epicure, 1787 (image 27 x 20 cm, in mat 43 x 33 cm) [1]. This is a descriptive list of erotic etchings and drawings by Thomas Rowlandson, based upon the research of Henry Spencer Ashbee published in his three-volume bibliography of curious and uncommon books: Index Librorum Prohibitorum (1877), Centuria Librorum Absconditorum (1879) and Catena Librorum Tacendorum (1885).
Pencil drawings were not known before the 17th century, [1] with the modern concept of pencil drawings taking shape in the 18th and 19th centuries. [1] Pencil drawings succeeded the older metalpoint drawing stylus, which used metal instead of graphite. [1] Modern artists continue to use the graphite pencil for artworks and sketches. [1]
Anonymous, possibly Fernando Yanez de la Almedina, Leda and the Swan. Oil on panel, 51 5/8 x 30 inches (131.1 x 76.2 cm). Philadelphia Museum of Art, USA (previously at John G. Johnson Collection, 1917) Giampietrino, Leda and the Swan, from the collection of the Marquis of Hastings; Giampietrino, Venus and Cupid, private collection, Milan
Curt Swan was born in Minneapolis [3] on February 17, 1920, [4] the youngest of five children. Swan's Swedish grandmother had shortened and Americanized the original family name of Svensson. [citation needed] Father John Swan worked for the railroads; mother Leontine Jessie Hanson [5] had worked in a local hospital. [6]
Although the drawing still shows John the Baptist as a child and not a lamb, it is the first indication that the composition could be constructed and read in the opposite direction to that of the Burlington House cartoon. [34] [37] The second drawing is in the collections of the Graphic Arts Department of the Louvre under inventory number RF ...
The controversial nature of Michelangelo's rendition of Leda and the Swan may have contributed to the disappearance of his original painting and cartoon. According to reports, Queen Anne of Austria ordered the destruction of the painting in the seventeenth century due to her objections to its perceived "lasciviousness." An inventory from 1691 ...
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