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Orpheus's mother taught him to make verses for singing. He is also said to have studied in Egypt. [54] Orpheus is said to have established the worship of Hecate in Aegina. [55] In Laconia Orpheus is said to have brought the worship of Demeter Chthonia [56] and that of the Κόρες Σωτείρας (Kóres Sōteíras; 'Saviour Maidens').
Orphic mosaics were found in many late-Roman villas. Orphism is the name given to a set of religious beliefs and practices [1] originating in the ancient Greek and Hellenistic world, [2] associated with literature ascribed to the mythical poet Orpheus, who descended into the Greek underworld and returned.
He is best known for his book The Arts of Orpheus (1941), in which he analysed a large number of sources for Orphism and Orphic literature. His work is noted for its thoroughly sceptical approach to the evidence, attempting to the repudiate the notions of a coherent Orphism put forward by earlier scholars. [2]
Similar themes of physical transformation are found in all types of mythologies, folklore, and visual arts around the world, including those of Mesopotamian, [2] Roman (Ovid's Metamorphoses), medieval (Western Christian), [3] and ancient Chinese. [4]
The scenes retelling the Orpheus myth are interspersed with Orff's daily life as he finds a new girlfriend, is hospitalised after suffering an attack of angina, bumps repeatedly into a character referred to as "Gom Yawncher" who turns up in various guises throughout London, and travels to The Hague to see the Vermeer painting in the Mauritshuis ...
[2] In a way, Blanchot uses the myth to transcribe the creative process—Lynne Huffer suggests that “Eurydice's disappearance symbolizes a loss that is recuperated by the compensatory gift of Orpheus's song.” [3] Blanchot believes that the myth itself is a fitting example of the necessity of obliqueness and indirection in approaching being ...
[nb 8] The epiphany of Apollo in book 2, over the island of Thynia, is followed by an account of the god's deeds and worship (2.686–719) that recalls an account in Callimachus's Hymn to Apollo (97–104), and book 4 ends in a cluster of aitia, including the origins of the island Thera, the naming of Anaphe, and the water-carrying festival on ...
The poem was lost, but in the fifteenth century it was found and copied in a manuscript (Codex Matritensis gr. 4562) by the Neoplatonic Greek scholar Constantine Lascaris, who is considered a Pythagorean Orpheus. [2] Another related work is the Lithica (describing the properties and symbolism of different stones).