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Lasergraphics - ScanStation (up to 6.5K, 8mm to 65mm), & Archivist (up to 5K, 8mm to 17.5mm). MWA Nova Vario series with patented laser-based, sprocket and claw free transport for 16/35mm for realtime (24/25fps) scanning with sensors for either 2K+ 2236 x 1752, or 2.5K+ HDR High Dynamic Range at 2560 x 2160, direct optical and magnetic sound on ...
4-channel stereo multiplexed analog-to-digital converter WM8775SEDS made by Wolfson Microelectronics placed on an X-Fi Fatal1ty Pro sound card AD570 8-bit successive-approximation analog-to-digital converter AD570/AD571 silicon die INTERSIL ICL7107. 3.5 digit (i.e. conversion from analog to a numeric range of 0 to 1999 vs. 3 digit range of 0 to 999, typically used in meters, counters, etc ...
Early Video8 camcorders used mono AFM sound, but this was later made stereo. This cost less than including 8mm's optional digital stereo audio track. Linear audio did have the advantage that (unlike either AFM system) it could be re-recorded without disturbing the video, doing this in 8mm required a deck that supported digital audio.
Cinema Digital Sound, an optical format which was the first commercial digital sound format, used between 1990 and 1992; Fantasound. This was a system developed by RCA and Disney Studios with a multi-channel soundtrack recorded on a separate strip of film from the picture. It was used for the initial release of Walt Disney's Fantasia (1940)
Sound mix list on the Internet Movie Database; Index of early sound films of the silent era, from The Progressive Silent Film List by Carl Bennett; The origins of the Firm "Tobis-Klang" The first release that used this system was the partially silent German film Melodie der Welt
Marvel’s “Deadpool & Wolverine” and Warner Bros.’ “Dune Part 2” lead the closely-watched feature competition for 72nd annual Motion Picture Sound Editors Golden Reel Awards, with three ...