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Robert Leroy Johnson (May 8, 1911 – August 16, 1938) was an American blues musician and songwriter. His singing, guitar playing and songwriting on his landmark 1936 and 1937 recordings have influenced later generations of musicians.
Johnson was the only one to record that day and performed solo, singing and accompanying himself on acoustic guitar. [4] Two more sessions followed, on Thursday and Friday, November 27 and 28. [2] After the successful release of "Terraplane Blues" in March 1937, additional recording sessions took place in Dallas, Texas. [2]
In 1945, Sonny Boy Williamson I adapted the tune as an early Chicago blues with Big Maceo (piano), Tampa Red (guitar), and Charles Sanders (drums). [9] Titled "Stop Breaking Down", the song featured somewhat different lyrics, including the refrain "I don't believe you really really love me, I think you just like the way my music sounds" in place of Johnson's "The stuff I got it gon' bust your ...
"Come On in My Kitchen" is a blues song by Robert Johnson. Music writer Elijah Wald has described it as "a hypnotic lament" and "his first unquestionable masterpiece". [1]A sometime traveling companion and fellow musician, Johnny Shines, recalled that Johnson's performance of the song could be overpowering:
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Robert Randolph in Toronto. The band made its first television appearance on Late Show with David Letterman on August 5, 2003, performing "I Need More Love". In 2004, Robert Randolph and the Family Band was the opening act on the Eric Clapton tour. They are featured prominently in the Clapton's Crossroads Guitar Festival DVD (2004).
Talk to people about Bingham and you hear variations on the same word: real. Charlie Sexton remembers when he realized it. Bob Dylan’s guitarist, a sort of ambassador for Austin music, was ...
Clapton does not adapt Johnson's slide guitar technique or open tuning; instead he follows the electric guitar soloing approach of B.B. King and Albert King. [81] He also employs a Johnson guitar innovation, the duple shuffle pattern or boogie bass line, while singing (Johnson only used it for two bars in "Cross Road Blues"). [81] [f]