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"Echoes" is a song by the English rock band Pink Floyd, and the sixth and last track on their 1971 album Meddle. It is 23 + 1 ⁄ 2 minutes long, the second longest of their discography, fourteen seconds shorter than "Atom Heart Mother Suite", and takes up the entire second side of the original LP.
"Signs of Life" ends on an E minor chord, while "Learning to Fly" opens with the relative major G major. A live recording has been released as part of the concert film Delicate Sound of Thunder . The accompanying live album did not include the track until the 2019 remix, which contains the entire live setlist.
Pink Floyd would again use this technique on the bass line for "Sheep". This riff was first created by David Gilmour on guitar with effects, then Roger Waters had the idea of using bass instead of guitar, so they recorded the song on two different bass guitars. The piece is in B minor, occasionally alternating with an A major chord.
Pink Floyd. David Gilmour – guitar, lead and backing vocals, pedal steel guitar on "Shine on You Crazy Diamond," and "The Great Gig in the Sky," Synthi AKS on “On the Run,” [2] Hammond organ on "The Great Gig in the Sky" Roger Waters – bass, lead and backing vocals, additional keyboards on "Echoes" [3]
The shrill siren-like sound effect used during this song is also used in an earlier Pink Floyd work, "Echoes". The noise is mimicking a seagull cry. The seagull noise was created by David Gilmour using a wah-wah pedal with the guitar and output leads plugged in the wrong way round. The second half of the song is an instrumental classical guitar ...
Echoes: The Best of Pink Floyd is the fourth compilation album by the English rock band Pink Floyd, released on 5 November 2001 by EMI internationally and a day later by Capitol Records in the United States. It debuted at No. 2 on the Billboard 200 album chart on 24 November 2001, with sales of 214,650 copies. [1]
Stereogum opined that the instrumental "stands out primarily as a song that sounds as much like Pink Floyd as anything on their mid-'70s releases. The song roots itself to Gilmour's familiar lonesome melodic guitar descants threading themselves through the trademark mood setting and foundation of Mason's drum work and the invaluable Wright's keyboard deviations."
The highest note he hit on the lap steel and slide solo was a B♭ 6, followed by a reprise of the guitar solo from Part IV (which was played by White live on Pink Floyd's 1977 tour so Gilmour could switch back to his Fender Stratocaster).