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A daybill is one variety of Australian film poster issued to cinemas at the time of a film's release. A daybill measures approximately 13 by 30 inches (330 by 760 mm), however during World War II some daybills measured 10 by 30 inches (250 by 760 mm) because it allowed an additional daybill to fit onto the sheet of paper.
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Filmink magazine said "The biker movie was the modern day Western of choice in the 1960s" but argued this was one of the few Australian films to "embrace it as a story option." [2] The Australian Film Development Corporation invested $154,000 in the film. The remainder of the budget and most of the technical facilities were provided by Ross ...
[35] American critic Rex Reed, an early advocate of Wake in Fright, praised the film's restoration as "the best movie news of the year", and said it "may be the greatest Australian film ever made". [36] According to Australian musician and screenwriter Nick Cave, it is "the best and most terrifying film about Australia in existence."
A Daughter of Australia is a 1922 Australian silent film directed by Lawson Harris. It concerns a rich squatter, Arthur Fullerton (Charles Beethan), and his daughter, Barbara (Yvonne Pavis). It concerns a rich squatter, Arthur Fullerton (Charles Beethan), and his daughter, Barbara (Yvonne Pavis).
Australian daybill; lobby poster; Accessible version of poster This page was last edited on 22 December 2024, at 13:30 (UTC). Text is available under the Creative ...
Allmovie wrote, "one advantage the 1953 version of House of the Arrow has over the first versions is the bluff, hearty presence of Oscar Homolka, who could entertain an audiences by reading the want ads if he so desired"; [2] and Britmovie noted, "director Michael Anderson handles the thrills pleasantly and the noir suspense is balanced out by Hanaud’s conceited humour with fine results.